Hollywood Must Watch Movies Master and Commander: The Far Side of the World in Best Quality. Best Movie Ever Imdb Master and Commander: The Far Side of the World in Best Look Video Format. All Time Best Movie Master and Commander: The Far Side of the World in Best Video Format. Rotten Tomatoes Top Movie Rentals Master and Commander: The Far Side of the World in High Quality Video. Top Streaming Movies Master and Commander: The Far Side of the World in HD Quality.
You will see an extensive description of Master and Commander: The Far Side of the World below:
- Original Title : Master and Commander: The Far Side of the World
- Movie title in your country : Master and Commander: The Far Side of the World
- Year of movie : 2003
- Genres of movie : Adventure, Drama, War,
- Release date of movie : 2003-11-14
- Companies of movie : Universal Pictures, Samuel Goldwyn Films, 20th Century Fox, Miramax,
- Countries of movie : United States of America,
- Language of movie : Français, Português, English,
- Durationof movie : 138 Min
- Average vote of movie : 7.1
- Cast of movie :Russell Crowe (Captain Jack Aubrey), James D'Arcy (1st Lt. Tom Pullings), Alex Palmer (Nehemiah Slade), George Innes (Joe Plaice), Cpt. of Mizzentop), Edward Woodall (2nd Lt. William Mowett), Richard Pates (Williamson), Patrick Gallagher (Awkward Davies), David Threlfall (Preserved Killick), Richard McCabe (Mr. Higgins), John DeSantis (Padeen), Tony Dolan (Mr. Lamb), Thierry Segall (French Captain), Max Benitz (Calamy), Ousmane Thiam (Black Bill), Mark Lewis Jones (Mr. Hogg), William Mannering (Faster Doudle), Billy Boyd (Barrent Bonden), Max Pirkis (Blakeney), Robert Pugh (Mr. Allen), Bryan Dick (Joseph Nagle), Chris Larkin (Capt. Howard), Lee Ingleby (Hollom), Jack Randall (Boyle), Paul Bettany (Dr. Stephen Maturin), Ian Mercer (Mr. Hollar), Joseph Morgan (William Warley
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Master and Commander: The Far Side of the World is the best movie provided by Universal Pictures, Samuel Goldwyn Films, 20th Century Fox, Miramax, that has a description of the movie is "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". The film was produced with excellent graphic quality, best ear busting sound quality and finest starring actors.
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Post Production Assistant : Sassica Francis-Bruce, Telecine Colorist : Eric Putz, Post Production Coordinator : Marisa Clayton, Makeup Effects : Gabriel De Cunto, Hairstylist : Edith I. Amezcua, Costume Supervisor : Dawn Y. Line, Production Illustrator : Daren Dochterman, First Assistant Editor : John Lee, Scoring Mixer : Robert Fernandez, Pilot : Ivor Shier, Key Makeup Artist : Kate Biscoe, Assistant Director : Michelene Mundo, Co-Producer : Bob Weinstein, Unit Manager : Rafael Cuervo, Sound Effects Editor : Hamilton Sterling, Original Music Composer : Iva Davies, Digital Colorist : Jack Lewars, Camera Operator : Matthew J. Siegel, Set Designer : William Hiney, Ager/Dyer : Julia Gombert, Construction Buyer : Gabriel Pérez, Assistant Camera : Mike Cahoon, Camera Operator : George Billinger III, Production Sound Mixer : Art Rochester, Construction Foreman : James Arrigo, Camera Operator : Don Reddy, Visual Effects Assistant Editor : Paul Vega, Original Music Composer : Christopher Gordon, Matchmove Supervisor : Talmage Watson, Visual Effects Production Assistant : Jessica O'Keefe, Thanks : Christopher Terrill, Supervising ADR Editor : John A. Larsen, Editor : Lee Smith, Set Dressing Supervisor : Jennifer Lewicki, Animal Wrangler : Jesus Chavez, Dolly Grip : Brian Rosso, Negative Cutter : Gary Burritt, Digital Intermediate Colorist : Michael Eaves, Camera Operator : Martha Susana Ramos, Executive Visual Effects Producer : Blondel Aidoo, Projection : Larry Hoki, Additional Second Assistant Camera : Michaele Shapiro, Digital Color Timer : Tommy Hooper, Storyboard Artist : David Russell, Visual Effects Editor : Kosta Saric, Visual Effects Supervisor : Mitchell S. Drain, Additional Casting : Judith Bouley, Best Boy Grip : Michael James Fahey, Producer : Samuel Goldwyn Jr., Quality Control Supervisor : Timothy Michael Cairns, Key Grip : Chris Centrella, Camera Operator : Guillermo Rosas, Set Medic : Jeffrey D. Stevens, Digital Intermediate Producer : Hilda Saffari, Production Accountant : Jen Hutchinson, Novel : Patrick O'Brian, Electrician : Willie E. Dawkins, Dialogue Editor : Hugo Weng, Still Photographer : Stephen Vaughan, Production Office Coordinator : Derek Jan Vermaas, Set Dresser : Giovanni Bianchini, Sound Designer : Richard King, Script Supervisor : Wilma Garscadden-Gahret, Tailor : Rosa Isela Atondo, Digital Intermediate Editor : Martha Pike, Visual Effects Producer : Helen Elswit, Second Assistant Director : David M. Bernstein, Art Department Coordinator : Gerald Lehtola, Stunt Coordinator : Doug Coleman, Sound Effects Editor : Michael W. Mitchell, Stand In : David Oliver, Aerial Director of Photography : Phil Pastuhov, Foley : Nancy Parker, Unit Production Manager : Todd Arnow, Co-Producer : Meyer Gottlieb, Sound Recordist : Tim Gomillion, Casting : Mary Selway, Visual Effects Supervisor : Pablo Helman, Screenplay : Peter Weir, Camera Trainee : Sergio Berry, Dolly Grip : James D. Wickman, Visual Effects Supervisor : Nathan McGuinness, ADR Editor : Laura Graham, Grip : Raúl Cortés, Studio Teachers : Judith M. Brown, Textile Artist : Sandra O'Toole, Rotoscoping Artist : Daniel Becerra, First Assistant Director : Alan B. Curtiss, Sequence Supervisor : Jay Cooper, ADR Mixer : Wendy Czajkowsky, Visual Effects Producer : Jeff Werner, Visual Effects Editor : Tom Barrett, Sound Re-Recording Mixer : Paul Massey, Assistant Accountant : Christopher Ciketic, Casting Associate : Nicole Hilliard-Forde, Foley Artist : Gary A. Hecker, ADR Editor : Susan Dawes, Foley Supervisor : Christopher Flick, CG Animator : Matthew Hackett, Transportation Captain : Wayne Stone, Art Direction : Mark W. Mansbridge, Translator : Quincy Perkins, First Assistant Accountant : Lucy Amador, Video Assist Operator : Adam Barth, Property Buyer : Liza Rudolph, Assistant Production Coordinator : Daniel A. Mondschain, Best Boy Electric : Rick Maddux, 3D Supervisor : Christopher Bonnstetter, Second Assistant Accountant : Tom Chung, Makeup Artist : Erin Henriques, Set Designer : Carlos Benassini, Researcher : Mimi Munson, Property Master : Doug Harlocker, Set Production Assistant : Heather Anderson, Graphic Designer : Jane Fitts, Layout : Dani Morrow, Co-Producer : Todd Arnow, Visual Effects Coordinator : Kimberly Adams, Art Direction : Marco Niro, Set Costumer : Javier Arrieta, Lighting Technician : Derick Pritchard, Stunt Double : Stuart Clark, Music Editor : Simon Leadley, ADR Engineer : Derek Casari, Construction Coordinator : Gary Deaton, Original Music Composer : Richard Tognetti, Set Decoration : Robert Gould, Production Driver : David Travis Grieb, Supervising ADR Editor : R.J. Kizer, Dolby Consultant : Andy Potvin, Focus Puller : Andrew Stroud, Gaffer : David Lee, Compositing Supervisor : Jeff Doran, Unit Publicist : Sandy O'Neill, Assistant Sound Editor : Andrew Bock, Visual Effects Producer : Julia Frey, Line Producer : Bridget Bourke, Seamstress : Marcelina Barraza, Assistant Editor : Anna Josenhans, First Assistant Sound Editor : Linda Yeaney, First Assistant Camera : Robert Hill, Stunt Coordinator : Daniel W. Barringer, Accounting Clerk Assistant : Matthew Humphreys, Assistant Property Master : Richard F. Anderson, CG Animator : Yuichiro Yamashita, Visual Effects Supervisor : Stefen Fangmeier, Costumer : Anthony Almaraz, Rigging Grip : Oscar Gomez, Producer : Duncan Henderson, Colorist : Kent Pritchett, Second Unit Director : David R. Ellis, Local Casting : Kazimierz Suwala, Production Design : William Sandell, Studio Teachers : Maxine Arbarbara, Special Effects Assistant : Martha Susana Ramos, Costume Design : Wendy Stites, Marine Coordinator : Rick Hicks, Driver : Tom Gilhooley, I/O Supervisor : Brian Cuscino, Digital Compositors : Kathleen Beeler, Technical Supervisor : Brian Gee, Art Direction : Héctor Romero, Propmaker : Bobby Mara, Makeup Department Head : Edouard F. Henriques, Executive Producer : Alan B. Curtiss, Key Costumer : Mary C. Lane, ADR Recordist : Robbie Ashhurst, Set Designer : Manuel Martínez, Utility Stunts : Mitch Toles, Craft Service : Orlando Chongo, Special Effects Technician : Robert Alidon, Stunts : Joey Anaya, Screenplay : John Collee, Researcher : Brice Criswell, Post Production Supervisor : Jeffrey Harlacker, Visual Effects Designer : Robert Stromberg, Post-Production Manager : Patrick Esposito, Makeup Artist : Robin Beauchesne, Second Second Assistant Director : Steven F. Beaupre, Director of Photography : Russell Boyd, Second Assistant Camera : Paul Gonsoulin, Standby Painter : Anthony Gaudio, Digital Effects Supervisor : David Ebner, Casting : Fiona Weir, Special Effects Coordinator : Daniel Sudick, Assistant Art Director : Kevin Ishioka, Steadicam Operator : Harry K. Garvin, ADR Voice Casting : Louis Elman, Production Executive : Kimberly Cooper, Sound Re-Recording Mixer : Doug Hemphill, Co-Producer : Harvey Weinstein, Key Rigging Grip : Jeff Kluttz, Art Direction : Bruce Crone, Producer : Peter Weir, Set Designer : Nick Navarro, Production Consultant : Anna Roth, Armorer : Steve Auvenshine, Camera Operator : Jamie Barber, Transportation Coordinator : Russell McEntyre, Set Designer : Mark Hitchler, Script Supervisor : Brenda Lopez, CG Artist : Robert Bourgeault, Location Manager : Michael John Meehan, Loader : Sal Alvarez, Rigging Gaffer : Stephen Johnstone, Extras Casting Assistant : Claudio Bautista, Color Timer : Jim Passon, Boom Operator : Jeffrey A. Humphreys, Assistant Chief Lighting Technician : Chris Culliton, Second Unit : Joaquin Cervera, Visual Effects Producer : Stephanie Hornish, Production Assistant : Jessica Teach, Musician : Iva Davies, Dialect Coach : Judy Dickerson, Director : Peter Weir, Leadman : Christopher Neely, Hair Department Head : Yolanda Toussieng, Production Coordinator : Andy Foster, Conductor : Christopher Gordon, Lighting Artist : Michael Sean Foley, Additional Sound Re-Recording Mixer : James Bolt, Lead Animator : Michael Hemschoot, Matte Painter : Shannan Burkley
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